Wall of sound...
6/30/74, courtesy James Anderson (no hard feelings, I hope) |
vs. toadstool of sound?
9/2/74, courtesy Ed Merrin, though I've also seen this dated April 74? |
Anyway, the music is just wonderful: "simple precision and mountain lake clarity" indeed. I presume it was a more-or-less 90 minute set, if Second That Emotion was the first tune (it sounds like Betty's getting her mix settled, so I'm assuming it was). Expressway to Your Heart particularly soars -- as much as I love this song, I find G/S performances of it tend to be a little draggy as often as not, but this one really cruises along at a smooth pace from start to finish, and Garcia is in prime form. The video reveals that Sitting in Limbo breaks down midway, stopping dead due to some technical issue; on the tape this is edited and sounds like a tape cut, but you can hear Kreutzmann and Garcia restarting the song as it's fading back in. Until I saw the video, I had never noticed the baritone sax, which is very low in the mix and nearly inaudible at times compared to Martin Fierro, but Flowers(?) is a cool and unusual addition -- this band was pretty open to guests, but as far as we know, those were rarely saxophonists (for whatever reason, mystery trumpet player(s) were less unusual). He sticks around for Neighbor, Neighbor and Mystery Train, both of which are outstanding versions (Billy K knew how to really swing Mystery Train), and Fierro and Garcia glide through a top-notch La-La, a tune that sounds made for a late summer afternoon in the park. Jerry drily announces that the permit time is up and closes up with a fast, very energetic How Sweet It Is.
Summer '74 was a good time for this band, and I have to think that the exaggerated contrast between the Dead's unsustainably huge touring setup versus the casual local nature of these gigs must have played a part in that. The June '74 shows with Tony Saunders on bass are outstanding, and I also particularly like 8/15, 8/30 (another shorter show in excellent sbd), and 8/31. Then the great Paul Humphrey joined in October-November on drums, which is another story for another post.
Tony Saunders on bass? Are recordings available? Where was Kahn? That is something I need to hear.
ReplyDeleteOther than the Garcia/Grisman dates, how many times did Garcia front a band that did not have either Phil Lesh or John Kahn on bass? Not many I would think?
Hi unknown: Yes, recordings circulate for 6/4, 6/5 & 6/6/74, and I recommend checking them out. Garcia & Saunders also played with Tony on bass on 2/14/75 and 5/9/75 (this was Merl's other band Aunt Monk, though very sim to Legion of Mary), and on the tapes that circulate (mis)dated 7/21 & 7/22/74 (the actual dates are Jan 21-22 1975; I think they were billed as Garcia/Saunders?). Dunno where Kahn was on the June 74 shows, but the other dates were all Merl's gigs. Garcia sat in with Merl's band on 10/3/78, which I presume still had Tony on bass. They are all great performances, and you'll hear the difference: I like John Kahn a lot, but Tony is a funkier player.
ReplyDeleteOther shows without Kahn... there's one of the Jan 73 G/S shows with vocalist Sarah Fulcher where the bassist from (I think) Fulcher's own band plays instead of Kahn. Kahn didn't play in the Great American String Band, of which Garcia was briefly a member in '74. There are a couple of shows from March 82 where Dave Torbert covers for Kahn. So you're right, not many.
and also Roger 'Jellyroll' Troy, who played bass with Howard Wales' group (see 1/26/72 Garcia & Wales), and who also occasionally sat in for a couple songs here and there with G/S.
DeleteAlso, Marty David on bass 1/19/73.
ReplyDelete