Showing posts with label Blind Willie Johnson. Show all posts
Showing posts with label Blind Willie Johnson. Show all posts

Sunday, May 27, 2018

2/24/73: at long last

poster by S. Ross, courtesy concertposterauction.com

The aud tape for 2/24/73 Iowa City is finally circulating!  Can I tell you how happy this makes me?  I'm really happy that the aud tape for 2/24/73 is finally circulating!  There has always been this mysterious snippet of the tail end of the jam  (/Phil>Feelin' Groovy) which, despite many folks' ravings (including Lavala's) was always hard for me to genuinely enjoy, given what was missing from the front end of it.  Dead.net posted that same fragment plus the Sugar Magnolia closer as part of one of their 30 Days of Dead series.  There's a second sbd fragment from the first set (with a killer Playin', at least), but for a long time that was the most of it.  Frustratingly, there was a gushing review of the whole jam in the first Taper's Compendium, published 20 years ago almost to the day before this aud tape finally reached general digital circulation.  No matter now.  It's here!  Listen!

God, this is good.  They blaze through Truckin' and a nicely developed Nobody's Fault But Mine instrumental/jam, then spiral off towards the Other One.  It seems like they're nearing escape velocity, but right at the moment when it could explode, it implodes instead and they peel back the surface to see the space within.  "Dark Star," says the taper(?), right on cue, but nope: they explore a sparse, darkly melodic space that sounds like it could be a prelude for Stella Blue, if that song existed yet (edit: duh), and Garcia and Lesh spin out one of the most beautiful duets they ever played, Lesh's harmonics pinging out around the arena, while Garcia plays longingly and mournful -- I may be imagining things -- almost maybe like he was thinking about Dark Was the Night, Cold Was the Ground?  (could it be? two tributes to Blind Willie Johnson in the same show!?)  Wishful thinking, I'm sure.  Then a wonderfully timed blast of feedback (Phil?) and it eases itself right into Eyes of the World.  It's almost alarming how tight and fully-formed some of these earliest versions were, and they bite down hard on this one at first.  As they glide into the post-verse jam, Garcia abandons the changes and veers into a spacey tailspin.  There's a small cut at 9:50, the taper reckons this "could be the Other One" (fair enough), but Lesh steps to the fore and starts playing along with Garcia, who backs off and lets him have the wheel.  Lesh solos for a few minutes (our commentator's assessment @12:29: "really hardcore"), and Garcia returns to usher in an utterly joyful Feelin' Groovy jam and a final slam through Sugar Magnolia (always a thing of beauty on an aud tape) which clips unceremoniously a second before the end.

If you're not satiated, then perhaps another listen to 2/19/73 might be in order, another show that belies the expectations you may have for a 'typical' 1973 Truckin>Other One jam.  There are plenty of exciting cat 'n mouse games turn unexpected corners into explosive passages, but none of the brooding melodic spaces of this one.  A very potent pairing.