Showing posts with label Mickey Hart. Show all posts
Showing posts with label Mickey Hart. Show all posts

Monday, July 13, 2020

8/21/71 setlist clarification

tape box courtesy Ned Lagin

There is a tape labeled 8/21/71 and some variation of "Mickey Hart's barn" that is a recording of an informal jam session that followed a radio (and possibly television) broadcast performance by the New Riders of the Purple Sage and Shanti, an Indian/rock "world music" band featuring Zakir Hussain.  An aud tape has been in circulation for a long time.  The first digital transfer has extensive notes and info, and a more recent transfer purports to be from John Cippolina's own sbd reels ("this comes straight from the John Cipollina's collection, i personally made a copy of his reel and his notes" [sic]), even though it's the same aud tape.  More recently (2018?), Ned Lagin shared a sbd reel of most of the performance on his website and added his recollections about the jam to the NedBase page.  There is considerable overlap, though not exactly, between Ned's tape and the aud tape, and I had patched together a composite for my own listening and shared it in a couple of places, so that may still be floating around out there somewhere.  In the interest of creating a definitive setlist, I am only now getting around to posting this fleshed out version of my notes.  I am not going to even attempt to parse out who is playing what, nor do I have any comments on the music itself.  It's a big ol' jam session -- and, um, Garcia doesn't play for most of it -- so don't go expecting transcendence exactly.  But, y'know, it's got a vibe.  To my ears, the long Wall Song jam is the best thing here, since Gar & Cros already had a really nice hookup happening on this tune (digression: see the Nash/Crosby album outtake version!  the Matrix Dec 1970 performance!  I'm stopping now).

Corry has laid out in depth what is known about the circumstances of the gig here:
http://lostlivedead.blogspot.com/2012/03/august-21-1971-mickey-harts-ranch.html

And, a few months ago, Sam Cutler shared a 44 second video clip of the NRPS performance, which we can see was on a stage setup outdoors before a small audience of folks relaxing on lawn chairs.  Nice dye, Jerry!  But, according to the taper who recorded the jam,
"When the taping was finished, some musicians meandered into Mickey's barn where he had a modest recording studio set up. When I walked in Jerry Garcia and David Crosby were trying some things out (Fresh Green Grass). I turned on my cassette recorder, lashed my mic to an open mic stand, and sat down to enjoy a remarkable early evening of music."
THE PERSONNEL is all over the place.  To aggregate what is out there: the following folks were pretty definitely involved, based on the Lagin's tape box that was notated by Phil Lesh (which Lagin says is not complete).
Jerry Garcia (partially)
John Cipollina
David Crosby
Phil Lesh
Ned Lagin - piano, organ
Mickey Hart
Robbie Stokes - guitar
David Freiberg - bass, organ

Less certain:
Jorma Kaukonen (Lagin's memory)
Barry Melton (Lagin's memory, though the taper doesn't remember him)
Paul Kantner (Lagin's memory)
Jack Casady (Lagin's memory)
Merl Saunders ("maybe" per Lagin's memory)
Frank Lupica - drums (from Shanti, per the taper's memory)
Spencer Dryden (possibly, per aud tape notes)


It looks like the Airplane was on the road on Aug 21 (there was even a planned Dead/Airplane festival show in St. Paul, MN that day that was canceled); so if that is the case, scratch Kantner, Kaukonen, and Casady... unless the date on the tape is incorrect.  Someone else's ears can determine if they hear Jorma or Jack anywhere in here.  Nicky Hopkins' name has also been attached to this jam, but Lagin doesn't remember him and is doubtful he was there (same with the aud tape notes). 


THE MUSIC on the two recordings overlaps, but not completely.  Here is what was played:

Jam #1 = "Fire On the Mountain theme."  On the aud tape only.  Garcia is present here.

Other One Jam > The Wall Song = The O1 jam is not on the aud tape, but is on Ned's tape.  It sounds like Ned's tapes starts at the beginning of the jam (or very close to) and after 1:50 or so, the jam segues into the Wall Song.  The aud tape cuts in a few minutes after the Wall Song has started (sorry, I don't have an exact time).  The "Cipollina tape" labels this "Wall Song > Fresh Green Grass Jam > Wall Song" but I have no idea what "Fresh Green Grass Jam" is, besides the cryptic reference to it in the taper's recollections (above) -- I don't hear anything in here that would warrant a separate label, fwiw.  Ned's tape has a cut that loses about a minute of music, which can be patched in seamlessly from the aud tape.

[edit: "Fresh green grass" is a line in the Wall Song that Crosby sings at one point (he doesn't sing all the verses here, btw), so that's probably where that comes from.  This mega jam is mostly a long groove on the Wall Song's main vamp, but there is a section where they pick up the tempo and jam on just one chord for a bit, before returning to the Wall Song.  To label this Wall Song > Jam > Wall Song isn't inaccurate, but seems a little overly technical imho]

The music concludes and on Ned's tape, Garcia is heard saying, "I gotta go play."  The NRPS had a gig that night in Cotati, all of 20 miles away.

Jam #2 = this is on Ned's tape just labeled as 'Jam'.  The aud tape supplies the first 2:50, where Ned's tape cuts in.  The jam plays to completion on both the aud and Ned's tape.

"Noodle pt 1-2" = on the aud, but not Ned's tape.  "Pt 1" is 27 secs of guitar, piano, drums before the tape fades, and "Pt 2" continues after the cut for a few more seconds, then the musicians stop playing and other folks to tune up.

Jam #3 = on both aud tape and Ned's tape (apparently labeled "Blooz" on Ned's).  Both aud tape and Ned's tape have the same music here, with nothing missing.

Jam #4 = on both aud tape and Ned's tape (apparently labeled "R&R Jam" on Ned's).  Note that Ned's tape cuts after 5 minutes, while the aud tape contains 7 more minutes of music before fading.

Jam #5 = aud tape only; this cuts in and I think it's the conclusion of Jam #4 (albeit with a fair amount of music lost in the cut).  The music stops around 2:30, then the tape cuts.

Everything else that follows is only on the aud tape.  It's all pretty succinct in comparison with the expansive jams the preceded it.

"Carousel Song" = 44 seconds: this is the same melody as "Be Kind To Your Web Footed Friends" (or whatever it's called) that the Dead would sometimes play between songs, so I presume Bob Weir is to blame.

Ghost Riders in the Sky "Jam" = <3 min of the cowboy/surf standard "Ghost Riders in the Sky" played instrumentally, followed by some applause.

Winin' Boy Blues = the Jelly Roll Morton song (as done by Hot Tuna).  It sounds like Weir sings the vocal (it's not Jorma, another indication that he may not have been here at all).  It's about 3:40 total, and complete.

Bye Bye Blues = a <1 min fragment of a blues instrumental that sounds a lot like Les Paul's recording of "Bye Bye Blues."

Tore Down = a Freddie King tune.  Unknown vocalist, guitars, bass, piano, and drums.  About 6:45 total, and complete.

And then, according to the aud tape notes, that was the end of things.


So, I propose that the official record of this show look like this:

Jam (Fire On the Mountain theme)
Other One Jam >
The Wall Song (Crosby/Garcia vocal)
Jam
Jam ("Blooz")
Jam ("R&R Jam")
Ghost Riders in the Sky
Winin' Boy Blues (Weir vocal)
Bye Bye Blues
Tore Down (unknown vocal)


Monday, July 25, 2016

2/15/87: Drums of Petaluma

This show had been languishing on my harddrive forever, and I finally gave it a close listen and enjoyed it quite a bit.  The occasion for the show and tape was a benefit performance by Babatunde Olatunji and his group Drums of Passion, with guest stars Jerry Garcia, Carlos Santana, and Mickey Hart.  Honestly, I can't say much about the music itself, but I've never seen much comment about this and most setlist information out there seems to be incorrect, so I figured I'd post a little something about it.
ticket pic courtesy Thomas Patrick
I won’t go much into Olatunji’s career here: the short version is that he was a pivotal figure in bringing African rhythm and culture to western awareness in the 1950’s, peaking with his landmark and extremely popular album Drums of Passion, released in 1960.  By the 1970’s, though, his career was in serious decline and was effectively on the skids until Mickey Hart approached him after a San Francisco club performance in 1985 with an offer to produce new recordings and, later, an invitation for him to open for the Dead on New Year’s Eve.  Those recordings, made in January 1986, yielded two albums: Dance to the Beat of My Drum (on the local San Francisco label Blue Heron, later reissued by Rykodisc as Drums of Passion: The Beat) was squarely aimed at a crossover comeback and prominently featured Santana’s guitar; the other, belatedly released in 1989 as Drums of Passion: The Invocation (also on Rykodisc), featured only his core drum ensemble.  Olatunji, who had prefigured the demand for “world music” by 25 years, was back in the public eye and had Mickey Hart and the Dead to thank for it.

On Feb 15, 1987, Olatunji’s group of percussionists and dancers played a benefit in Petaluma, CA for the local World Music in Schools foundation, augmented by Garcia, Santana, Hart, and bassist Bobby Vega.  Hart appears to have orchestrated the whole thing, and the 90 minute PBS special about the show (at youtube) credits the Dead’s crew with holding down most of the technical aspects.  Hamza el-Din opened the night with a beautiful 20 minute solo performance, then Olatunji’s group played for nearly two hours.  I presume Garcia must have rehearsed some for this, especially since he was the only one of the guests not involved with the 1986 recordings.  Although he and Santana clearly aren’t central to the music, they both fit in well and Garcia sounds comfortable and quite good when the spotlight falls on him.  Presumably in deference to him or (more likely) to the fans who were there because of him, the group plays "Fire On the Mountain," which comes off well enough — but for my money, Garcia’s best moment of the night is the solo he rips on “The Beat of My Drum” (d1t08).  Not bad, Jer!  He looks plenty happy in the video but, hey, playing on a stage packed full of master African drummers is probably harder than it looks.  The night belongs to Olatunji, of course, and the bulk of the show is heavy African percussion, which suits me just fine.

Santana, Garcia, and (I think) Sikiru Adepoju.  pic by Jay Blakesberg
From a Garcia-centric perspective, this appearance marks a start to his post-coma period of increased health and a much greater level of engagement with the musical world around him.  He returned to making appearances on friends’ studio projects (starting, probably around the time of this show, with the Neville Brothers), returned to his bluegrass roots with the JGAB, and showed more of a willingness to put himself in unfamiliar contexts, not least being his guest appearance with Ornette Coleman in 1988.  It was the start of the final golden phase of his career, and it’s neat that this one-off appearance with one of the most famous African musicians of the 20th century helped kick it off.  Maybe there are some comments to be made about Garcia's position in relation to the African musical diaspora, but right now it feels like a stretch and I'm tired.

Here’s the video.  Head to 47:50 for some heat:


Charlie Miller’s transfer of Dan Healy’s sbd sounds excellent, but the tracklist (and some of the tracking) is off.  They play all of the 1986 album material and I was able to get some other titles by googling, so here is the best I'm able to come up with:

d1t01 introductions
d1t02 ??? (Hamza el Din: oud + vocal)
d1t03 ??? (Hamza el Din: oud instrumental)
d1t04 ??? (Hamza el Din: oud + vocal)
d1t05 ??? (Hamza el Din: tar + vocal)
d1t06 intro parade/??? ; Akiwowo (acapella intro) ->
d1t07 Akiwowo *
d1t08 The Beat of My Drum *
d1t09 Loyin Loyin *
d1t10 Odun De
d2t01 Ife L'Oju L'Aiye * ->
d2t02 Ife L'Oju L'Aiye * (continued from d2t01)
d2t03 band intros, speaking
d2t04 Yambela
d2t05 Fire on the Mountain *
d2t06 ??? **
d2t07 Se Eni A Fe L'Amo - Kere Kere *
d2t08 Ilere *

notes:
Hamza el Din tracks are unaccompanied.
* with Jerry Garcia, Carlos Santana, Bobby Vega (bass), Mickey Hart (drum kit)
** d2t06 Olatunji introduces percussionist Kwaku Dadey, who sounds like a special guest.


Jay Blakesberg
PS.  During the introduction to the show, the foundation director mentions Garcia's recent appearance in Doonesbury.  If you're curious: http://www.gocomics.com/doonesbury/1987/02/05/