Monday, September 30, 2019

10/1/76: some slipknot

courtesy gdsets

I took in the bulk of the 2nd set jam while cooking dinner, and then again just now.  The sbd is just dandy, but this great aud tape is the way to go:
https://archive.org/details/gd1976-10-01.aud.unknown.118468.flac16

(it's even better than the Jerry Moore sourced tapes, imho, although either this tape must be from the same source, or the taper must have been set up right near him?)

ramblings: 
  • Slipknot!  Oh Slipknot!  This is masterful.  After about 9 minutes, it seems like everyone else is ready to wrap things up and move on -- but Jerry waits, defers, then slowly spreads his tendrils off in another new direction.  This is a beautiful moment of Grateful Dead communication.  The nudge from the drummers and Phil's little slide at 11:40 cues the walk-up into the ending very nicely. 
  • 11 minutes of Franklin's Tower is just enough.  I'm sorry, but this feels, you got it, just exactly perfect.  Not an all-timer, not blowing the roof off, not just cruising either; just the right amount of bounce and Jerry heats it up just when he needs to.  I am happy.  
  • They didn't really have the whole disco Dancin' thing down until 1977, and a lot of the earlier 76 ones feel more clunky than funky to my ears.  This one has found its groove, though it doesn't have the same git down as it did in 77-79.  Jerry uses his wahwah pedal to great effect here, giving the jam a more smeary, psychedelic feel than the cleaner wompwompwomp of his trademark Mutron.  Again, it's short and sweet, but not too short: a hair below 8 minutes total before they break the jam off for Drums.
  • After 5 minutes of the Wheel, everyone is clearly rarin' to get back into Dancin', but Jerry ignores it and wanders off the path.  The next 3 minutes are yet another of those low-key, only in '76 kind of jams: everyone is game to just see what happens, and Jerry's in no hurry to get them anywhere in particular.  And what happens is quite lovely -- shades of Crazy Fingers in spots, but really just another one of those funny '76 corners, like finding a room in your house that you didn't know was there.  Jerry lands it right in Ship of Fools, not a tune that I typically get excited about.  But after that trip, it's a welcome arrival.  It ends, and after some uncertain splashing about, Jerry guides them all back into the Dancin' reprise.  Kinda messy in spots, but hey man, they're just making this up as they go along.
  • But it's not quite over.  Why not slide a little bonus GDTRFB in there just for good measure?  Why yes, thank you, I will.  All of it is great, but I find myself rewinding to 7:14 when Phil does that great tumble down into the AWBYGN riff and they're all playing everything all at once.  They even finagle a slick little transition into the closing Saturday Night, something they definitely did not have to do.  But they did stuff like that in 1976.

I do like 1976.

PS: This was the first of three times that they played at the Market Square Arena.  Each show was very good, and there is fantastic aud tape of each one.  How 'bout that.

Tuesday, September 24, 2019

RIP Robert Hunter

Rest in peace, Robert Hunter.  Right now I can think of no better tribute than this: tonight I sang his words to my kids before they fall asleep, which I have done nearly every night now for over a decade.

Sunday, September 8, 2019

Merl's Tune (Help Us Out)

I assume y'all know Merl's Tune, although there are unfortunately only a small handful of known performances:

3/7/73 - with George Tickner on 2nd guitar.
4/14/73 - no circulating tape, also with Tickner
7/5/73 - released on GarciaLive vol 6
7/10 & 11/73, i.e. the various Live at Keystone releases - Merl's Tune wasn't on the original album and didn't see commercial release until the first Keystone Encores LP/CD in 1988.
11/3/73 - I believe this was Bill Vitt's last show (or one of his last) with Garcia/Saunders?

I am a big fan, in particular, of 3/7/73 and 11/3/73, but of course all of these shows are worth hearing.  For some reason, Merl's Tune fell out of favor (or maybe was never in favor to begin with?), but it would have fit very well next to the band's jazzier material in 1974-75.

Check this out, though.  Cue up any of those version of Merl's Tune, then take a listen @20:40 here:


"Help Us Out," credited to John White (per label scans at discogs) vs. "Merl's Tune" credited on Keystone Encores to Saunders/White.  Thanks to Youtube commentor michael tristan for pointing that out (um, 6 years ago), and to Peter Tschirky for posting it.

John White is a little-known Bay Area guitarist with, afaik, this one Mainstream LP from 1971 to his credit.  I don't know anything about him besides what's in this older blog post: http://soundological.blogspot.com/2009/09/john-white-john-white.html

Saunders plays on the whole record, along with drummer Philip Wilson (ex Butterfield Blues Band, and later a renowned drummer in free jazz circles) and saxophonist Hadley Caliman.  Mainstream's 70's jazz catalog mostly has not made the transition to digital yet, and the original LP's were usually pretty light on detailed session info, so no luck there.  The dense horn-heavy sound on this track is also typical of Mainstream's overstuffed approach to production, but imho this record definitely fits well in that gritty Bay Area rock/R&B/jazz guitar bag next to, say, Harvey Mandel or Mel Brown, that kind of thing.

I have heard a couple of Merl Saunders sideman appearances from this same Garcia/Saunders timeframe, but the ones I'm thinking of were for Fantasy Records, Saunders' label.  This John White LP is from 1971, so presumably Saunders wasn't under contract with Fantasy yet.

So, um, yeah.  Dunno if this is in the same league as the "Finders Keepers" misattribution.  Barring other information, I will just offer this for your consideration.

update (Dec 2019): 
JGMF sent along a pic the tape box for one of the Bettyboard reels from 7/11/73, with this handwritten notation of the contents:
Harder They Come
John White Song
Like a Road
How Sweet it Is
My Funny Valentine 

Okay.  John White song.  I guess that answers that question?  Maybe not?